Panta Rhei
Jaar: 2026
Techniek installation
Materiaal: laserlight, steel, electricity
Sonification of Place
Panta Rhei stands for movement, “everything flows” (Heraclitus). Everything is constantly changing. Time, space, and matter are also subject to change, even when these changes are not immediately perceptible. In principle, it is impossible to do something in exactly the same way twice.
The diamond pattern symbolizes a defined space within which movement and change take place. The light of the cross laser delineates the space, yet space itself is not static. It explores the relationships between body, boundary, and space. The laser geometry becomes an immaterial space through which the viewer can move. It is a temporary architectural construction: its boundaries are visible, yet they have no physical existence. As a viewer, you become a perceptive and participating part of the work. The laser lines are not merely boundaries; they are also a metaphor for movement that is continuously present, even when it cannot be perceived. Within the defined spatial order—the laser-generated diamond—everything appears to stand still except time. Yet the laser lines themselves are electromagnetic waves propagating at the speed of light. What appears to be a static line is therefore, in reality, a dynamic process. A tension emerges between perception and actual movement. Moving through the geometric order continuously produces a different perception of the work. The position of the body changes in relation to the geometry, and with it, the experience of space.
Within this concept, time is the only movement that becomes visible through change. One moves through an architectural structure that appears to remain unchanged. Yet nothing is static. Matter transforms, energy flows, structures age, and systems gradually lose their coherence and cohesion.
Why does decay always return?
Why can no flourishing culture ever escape the passage of time?
Is decay an inherent part of order?
september 18th, 2026
